Tridandisvami Shri Shrimad Bhaktivedanta Narayana Gosvami Maharaja
20th August 2003
Shri Jayadeva Gosvami's kirtana, Shri Mangala-Gitam, glorifies Bhagavan Shri Krsna, but moreover it indicates the glories of Shrimati Radhika. This is because Lord Krsna's highest glories are not manifest without His being in Her association.
This kirtana begins: Shrita-kamalakuca-mandala! dhrta-kundala! e – Shrita-kamalakuca-mandala means that Krsna is taking shelter at the breast of Shrimati Radhika, and this is because of what happens to Him at the moment He sees Her. Shrila Prabodhananda Sarasvati describes how, simply upon seeing Her and by the influence of Her mahabhava, Lord Krsna's flute falls from His hands, His peacock feather falls to the ground, His pitambara slips down, and He Himself begins to faint. At that time He is taking shelter at the breast of Shrimati Radhika.
Regarding this verse Shrila Prabodhananda Sarasvati prays, "When will I perform rasa-upasana of that very Shrimati Radhika?" Rasa-upasana means rendering service to Shri Shri Radha-Krsna by following in the footsteps of Shri Rupa-manjari and Rati-manjari. In this verse, at the time of His leaving home to go cow-herding, Krsna sees Shrimati Radhika from afar and He begins to faint. Madhumangala catches Him and says, "O my friend, what are You doing? Mother Yasoda and Nanda Baba can see You."
Dhrta-kundala are Shri Krsna's kundala (earrings) – the ornaments or beauty that decorate His ears are Shrimati Radhika's very beautiful words. Hearing the sound of Her sweet voice, Krsna's flute falls to the ground.
Kalita-lalita-vanamala – Kalita-lalita means extremely attractive and beautiful. Krsna wears a very beautiful vanamala, garland of forest flowers. A question arises as to who made this garland, and the answer is that Shrimati Radhika Herself has made it and placed it around His neck.
Jaya jaya deva! Hare – Jaya is sung twice here therefore there are two meanings. Jaya Jaya deva hare means, "All glories to the beloved worshipful deity of Shri Jayadeva Gosvami", and it also means, "May that Bhagavan Shri Krsna, who is glorified by this song, be victorious." In the second meaning, "All glories to that Shri Krsna" is sung twice for emphasis.
Mahaprabu is Always in Shrimati Radhika's Mood
Shri Caitanya Mahaprabhu is always in Shrimati Radhika's mood, but when He heard this song His mood at once changed to that of Shri Krsna. At that time He wanted to embrace the singer, thinking she may be Shrimati Radhika or Shrimati Lalita-devi or Visakha-devi. Therefore, when He was checked by His servant Govinda, He embraced Him and said, "I was about to return to My mood and nature as Krsna, but you checked Me. If you had not done so, I would have lost the purpose for which I came in this form, and also everyone would know that I am Krsna. You have saved Me."
This is the first meaning, and in the second Lord Caitanya is telling Govinda, "You saved Me. If you had not done so, if I had touched that woman, I would have then jumped in the river and drowned there." In this way there are two very good and deep meanings.
Many sannyasis, those in the renounced order, give up their sannyasa because they like to associate with ladies. They rationalize their activities by saying, "So many ladies come to me. What can I do? They come automatically, without my invitation."
Shri Caitanya Mahaprabhu will not listen to these arguments, so you should be very careful. If a lady comes to you with a spirit of enjoyment, slap her and speak harshly to her. I am very strict about this. Although I am very polite by nature, in these matters I am very strict. I cannot tolerate this. Girls should be especially careful regarding their motives for coming here. They sometimes come to pick up brahmacaris or sannyasis, and I have warned them not to come for this. They should only come to hear hari-katha, and they should be very strong in Krsna consciousness.
They should come to develop love and affection, like the gopis have, for Krsna – by first having love and affection for guru and real Vaisnavas. I request you all – sannyasis, brahmacaris and girls to be very careful in this regard. I have so much affection for my daughters, but I want to be very strict with them.
Bhava-khandana – Bhava means the coming and going in the endless cycle of birth and death and suffering in this material world. Khandana – for those in this world, Shri Krsna puts an end to all sorrows and sufferings in the cycle of birth and death. The gopis of Vrndavana, however, have a different kind of suffering. For them, suffering means separation from Shri Krsna. Shrimati Radhika and the gopis feel great separation from Him, and He puts an end to that suffering. At the time of their separation He manifests to them in the form of a sphurti (vision), or in person, and relieves them from the fire of separation.
Muni-jana-manasa-hamsa – Krsna Bhagavan is the swan who plays on the lake of the minds of munis like Shri Narada Muni, Shrila Sukadeva Gosvami and of course Shrila Jayadeva Gosvami, who is not less than Narada Muni or Shri Sukadeva Gosvami.
At the end of the kirtana Shrila Jayadeva Gosvami prays – idam kurute mudam. Mudam means overjoyed. He prays, "May all the world become auspicious and overjoyed." He prays to Bhagavan Shri Krsna, on behalf of all the people in the world, to manifest within their hearts the transcendental pastimes described in this kirtana. He is very merciful, just as Shrila Rupa Gosvami, who prayed:
anarpita-carim cirat karunayavatirnah kalau
samarpayitum unnatojjvala-rasam sva-bhakti-sriyam
sada hrdaya-kandare sphuratu vah saci-nandanah
(Shri Caitanya-caritamrta Adi-lila, 1.4)
["May the Supreme Lord who is known as the son of Shrimati Saci-devi be transcendentally situated in the innermost chambers of your heart. Resplendent with the radiance of molten gold, He has appeared in the Age of Kali by His causeless mercy to bestow what no incarnation has ever offered before: the most sublime and radiant mellow of devotional service, the mellow of conjugal love."]
Shrila Rupa Gosvami did not pray for himself; he prayed that Shriman Mahaprabhu will kindly manifest in the hearts of everyone. Vaisnavas are causelessly merciful; they pray to Krsna on behalf of all the jivas.
In conclusion Shrila Jayadeva Gosvami is saying, mangalam-ujjvala-gitam, which means that this song is full of unnatojjvala-rasa, the transcendental parakiya-rasa of mahabhava-svarupini Shrimati Radhika.
Pleasing Shri Shri Radha-Krsna
Shrila Maharaja then requested the assembled devotees to chant Shrila Jayadeva Gosvami's Shri Dasavatara-stotram. At the end of the kirtana, the kirtana leader chanted "Jaya dasavatara, jaya dasavatara" – all glories to the ten avataras (incarnations of Lord Krsna).
Shrila Gurudeva: Don't sing this ending. This song is not the glorification of the ten avataras. Kesava! Dhrta-dasa-vidha-rupa! – This is a glorification of Kesava, Krsnacandra, Syamasundara and Vrajendranandana. You can sing instead, "Jaya dasavatari – all glories to that Krsna Bhagavan who is the origin of all these avataras."
The devotees then chanted the kirtanas Shri Nanda-Nandanastakam and Shri Radha-Krpa-Kataksa-Stava-Raja, as they do every year on this very day.
Shrila Maharaja: When Shrimati Radhika hears this Shri Nanda-Nandanastakam, She becomes overjoyed and wants to give a benediction. At that time She will bestow the lotus feet of Her Prana-vallabha (beloved of Her life's breath) Shri Krsna upon the devotees who bring Her so much happiness by singing this astakam. Alternately, if someone will sing Shri Radha-Krpa-Kataksa-Stava-Raja, which is the glorification of Shrimati Radhika, Shri Krsna will become overjoyed and He will want to give the benediction of the lotus feet of His beloved Shrimati Radhika.
Shri Nanda-Nandanastakam has originally emanated from the lotus mouth of Shrimati Radhika, and she is singing it to Shri Krsna, either to His sphurti in separation, or directly to Him. Because His beauty is astonishing, She describes each and every one of His limbs. At the same time Shri Krsna thinks, "In this world no one has qualities as I possess. No one is as beautiful as I am and no one has attributes as I do. There is one person though – Shrimati Radhika has hundreds of times the qualities that I possess. She is My prema-guru."
This is explained in Shri Caitanya-caritamrta, Adi-lila Chapter 4, wherein it is also stated that the gopis have all relationships with Krsna. They are His servants, masters, friends, mothers, and so on. Every relationship that is had by anyone with Krsna is had by the gopis with Him. We know that Mother Yasoda incessantly nourishes, cares for and protects Him but whatever moods manifest in Mother Yasoda are present still more so in the gopis.
The first verse of Shri Nanda-Nandanastakam states:
sucarcitanga-candanam namami nandanam (1)
["I offer pranama to Shri Nanda-nandana, whose face is extremely delightful, from whose beautiful ears hang jeweled earrings, and whose entire body is anointed with fragrant candana."]
Lord Krsna's face is very beautiful when He has darsana of Shrimati Radhika at the time of rasa-lila. Shrila Vyasadeva did not write rasa-lila in Shrimad-Bhagavatam; rather it manifested spontaneously in his heart by sphurti, and then he spoke it. This sphurti takes place by the mercy of Krsna. Shrimad-Bhagavatam is an eternal sastra like the Vedas, but it is many times superior.
Rasa-lila Removes All Lust
Why did Lord Krsna manifest His rasa-lila? Ordinary devotees cannot understand it, what to speak of those who are fallen and engaged in sinful activities. Shrila Rupa Gosvami explained that Krsna is very merciful; if He had not brought rasa-lila from Goloka Vrndavana to this world, nobody would have the opportunity to understand it. By hearing about rasa-lila from pure devotees, one develops lobha (transcendental greed) to obtain that very confidential and difficult to obtain parakiya-rasa, unnatojjvala-bhava (paramour love for Krsna). Krsna performed rasa-lila to awaken greed in the hearts of those who are not qualified, to make them qualified to taste rasa. And, by the same exhibition of rasa-lila, He also increases these mellows tasted by those who are already tasting rasa. He is therefore very merciful, and Shrimati Radhika is even more merciful than He.
The third verse of Shrila Raghunatha dasa Gosvami's Shri Radha-kundastakam states:
agha-ripur api yatnad atra devyah prasada
anusarati yad uccaih snana-sevanu-bandhais
tad ati-surabhi radha-kundam evasrayo me
["For the pleasure of Shrimati Radhika, even Shri Krsna Himself, yearning to attain Her merciful sidelong glance, regularly bathes in Radha-kunda, carefully observing all the appropriate rituals. May that supremely enchanting Radha-kunda be my shelter."]
In this verse it is explained that Lord Krsna is merciful, but He Himself seeks the mercy of Shrimati Radhika. He goes to Radha-kunda and, according to all rules and regulations, He takes bath three times a day and then worships Shrimati Radhika and prays to Her, "Please give Me your krpa-kataksa, Your merciful side-long glance, because if You do mana and ignore Me for one more second I will not be able to maintain My life."
These moods have been manifested by Shrila Raghunatha dasa Gosvami, Shrila Rupa Gosvami, Shrila Visvanatha Cakravarti Thakura and Shrila Bhaktivinoda Thakura. Bhajana means to follow in their footsteps and to recite these kirtanas, developing their moods, so that a vision of the meaning of these kirtanas and transcendental pastimes will come into the heart.
Krsna has performed innumerable pastimes, but out of all pastimes rasa-lila is the best and most powerful. We have heard many times about the pastime of Mother Yasoda binding baby Krsna, and this pastime has astonishing power. Yet, rasa-lila is billions of times more powerful. Shrila Sukadeva Gosvami therefore said,
vikriditam vraja-vadhubhir idam ca visnoh
sraddhanvito 'nusrnuyad atha varnayed yah
bhaktim param bhagavati pratilabhya kamam
hrd-rogam asv apahinoty acirena dhirah
["Anyone who faithfully hears and then describes the Lord's playful affairs with the young gopis of Vrndavana will attain the Lord's pure devotional service. Thus he will quickly become sober and conquer lust, the disease of the heart."]
One should hear the sweet pastimes performed by Lord Krsna when He sports with the damsels of Vraja. We should hear them with 'anusrnuyat.' Anu means under the guidance of a sat-guru – bona fide guru and Vaisnavas, and it also means continually hearing these pastimes and rendering service to guru, and afterwards describing them. What will be the result? Bhaktim param bhagavati pratilabhya kamam: here the word kama means prema-bhava; the love of the gopis will manifest in the heart, and as a result of this all lust will be eradicated forever. This is the wonderful power of hearing and describing rasa-lila. In their nara-lila, human-like pastimes, even Narada Muni and Lord Sankara were sometimes unable to check the power of lust, but this rasa-lila is called param-vijaya-lila – the lila which enables one to become completely victorious over lust. No one has the power to overcome lust, yet, our Gosvamis have manifested this lila and its deep bhavas, transcendental emotions, in their writings so that one will be able to overcome lust and enter into the lila. One should make the service of Shri Shri Radha-Krsna in this rasa-lila the ultimate and only aim and object of life.